11/21/2023 0 Comments Color finale pro 2That said, the Artist Color does offer a lot for its price. One of the downsides is that the panel requires an Ethernet connection to function, unlike most of the previously listed tools that connect via USB. The Avid Artist Color panel is optimized for Media Composer, but it’s compatible with other color grading programs like DaVinci Resolve, NewsCutter, Smoke, FilmLight, STORM, and RED REDCINE-X. If you’re interested in the entire Tangent Elements panel, you can find bundles starting at $3,320. You can add the Mf (multifuntion), Kb (knob), and Bt (button) panels to create a full color grading suite. The Tangent Element can also grow with your needs. Like the previously mentioned Tangent products, the Tk panel works with Premiere Pro, DaVinci Resolve, AutoDesk Flame, Color Finale Pro, FilmLight, REDCINE-X PRO, and more. There are also two more buttons that function as Alt and Shift. Each ball and ring has its own reset button. It has three programmable trackerballs and three programmable rings above the balls. Just like the Tangent Element-Vs app, there are four different panels - Tk, Mf, Kb, and Bt. The Tangent Element consoles were designed to be modular systems. The Ripple works with a wide variety of programs - Premiere Pro, DaVinci Resolve, AutoDesk Flame, Color Finale Pro, FilmLight, REDCINE-X PRO, and more. It can also be used with the Element-Vs tablet app for added control. If you ever decide to upgrade your color suite, the Ripple is compatible with the Tangent Element line. You aren’t going to find a cheaper, more reliable controller designed specifically for color work. Tangent Ripple ($350)Īt $350, the Tangent Ripple is a very affordable color grading surface. Buttons cost $29 each, and sliders and dials cost $49. There is also a $499 professional kit, but since Palette Gear is modular, you can just purchase the individual tools to add on to the starter kit. The $299 expert kit comes with three dials, two buttons, and two sliders - so it’s ideal for color grading, as you can set the dials to control highlights, midtones, and shadows. The starter kit is available for $199 and it includes the core, two buttons, a slider, and a dial. The core supports up to eighteen modules. There are no specific setups, so you can arrange the tools to your own preference. You can attach buttons, dials, and sliders by magnetically connecting to the core. You connect the core to your computer and then attach modules in any array. The company is currently in beta for Premiere and FCPX. The Palette’s functionality isn’t specific to color work - it works with Photoshop, After Effects, Lightroom, Illustrator, InDesign, and Audition. It’s the most customizable tool you can get. Palette Gear is a modular control panel (and it’s really awesome). Android devices must have a screen size of 7″ or more. The full version will only set you back $100, and it’s available in the App Store and Google Play Store. The Element-Vs app’s free version will only allow you to use the app for an hour a day, but it’s a great way to test the product. Another nice feature - you can use multiple tablets at once. The digital surface emulates Tangent’s Element line and connects via Wi-Fi, so the tablet and your editing computer must be on the same network for best performance. If you don’t want a color surface cluttering your desk (or simply don’t use one often enough to justify a purchase), Tangent has created a color surface app for iPads and Android tablets. Here are five color grading surfaces that range from free to just over $1000. If you aren’t a professional colorist, it makes no sense to buy a console that costs as much as a car. There are plenty of reasons to get a control surface, but picking the right one for your needs is crucial. Here are a few of the most popular color cards used by video producers. Shooting your subject with a color card in focus allows you to instantly match the true colors of the chart in post. If you are a shooter and editor, a color card is a great way to save time color correcting your footage. For most videographers, there’s really no need to build out a full color grading suite. Use these color tools instead - and then put them away when you’re done!Ĭan’t dedicate your editing suite to massive color consoles? These color grading tools are handy when you need them - and can be set aside when you don’t.
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